Vibeke Tandberg's work is very much focused on her own psycho-social relationship to the surrounding world. She uses photography often digitally manipulated and film to deal with subjects such as identity and gender aspects, (female) beauty and its stereotyped reproduction in culture, youthful dreams and ambitions or authority, repeatedly using herself as subject and model in the works.
The settings of her photographic series' are frequently common life environments like household, family or holidays. Where she renounces digital manipulation, she often places her object within a sober, theatre-like scenario, thus concentrating on the medium's internal potential of manipulating human perception. This intention coincides with the technical perfection accomplished e.g. in Tandberg's digitally processed photographs or double exposed 16 mm-films.
By setting out her own personality in many of her works and subjecting it to a variety of metamorphosis', she elaborates a model of multiple identity and points out to the uncertainty and dependence of an individual within society.
| Biography
- born 1967 in Oslo
- 1986/87
- Teaterverkstedet, Oslo
- 1991 1994
- College of Fine Arts, BFA, Bergen
- 1995 1997
- Department of Film and Photography, MFA, University of Gothenborg
- 1997/1998
- scholarship Künstlerhaus Bethanien, Berlin
- 1998/1999
- International Studio Program (ISP), New York
- 1999/2000
- Delfina Studio Trust, London
- lives and works in Oslo and London
| Solo Exhibitions (selected):
2005
- Klosterfelde, Berlin (upcoming), D
- Vibeke Tandberg, Sprengel Museum Hannover, Raum für Fotografie und Untere Sammlung, Hannover, D
- Sammlung Ann und Jürgen Wilde, Hannover, D
- c/o Atle Gerhardsen, Berlin, D
2004
- Tomio Koyama Gallery, Tokyo, J
- Yvon Lambert New York, New York, USA
- Astrup Fearnley Museum of Cont. Art, Oslo, NO
- Gio Marconi Galleri, Milano, IT
- FRAC Basse-Normandie, Caen, F
2002
- Gagosian Gallery, London, GB
- Krobath/Wimmer Galerie, Vienna, A
- "loop/pool", Gagosian Gallery, London, GB
- c/o Atle Gerhardsen, Berlin, D
- Klosterfelde, Berlin, D
- "(UN)DRESS", Galerie Yvon Lambert, Paris, F
2000
- c/o Atle Gerhardsen, Oslo, NO
- Tomio Koyama Gallery, Tokyo, JAP
- Kunstmuseum Thun, Thun, CH (cat.)
- Galerie Yvon Lambert, Paris, F
- Giò Marconi, Mailand, I
1999
- Andrea Rosen Gallery, New York, NY
- Klosterfelde, Berlin, D
- Galleri Nicolai Wallner, Copenhagen, DK
1998
- "Coté Rue", Galerie Yvon Lambert, Paris, F
- Tomio Koyama Gallery, Tokyo, JAP
- Künstlerhaus Bethanien, Berlin, D
- Klosterfelde, Berlin, D
- c/o Atle Gerhardsen, Oslo, N
1997
- Fotogalleriet, Oslo, N
- Galleri F-15, projectroom, Moss, N
1996
- Rogaland Museum of Fine Arts, Stavanger, N (cat.)
1995
- Center of Photography, Orebro, N
Group Exhibitions (selected):
2005
- "Morir de amor" (cur. By Pamela Echeverría), Galería OMR, Mexico City
2004
- "Really True! Photography and the Promise of Reality", (cur. by Sigrid Schneider/Stefanie Grebe), Ruhrlandmuseum Essen, Germany (upcoming June)
- "io mi ricordo", Galleria s.a.l.e.s., Roma, I
- "Le Proche et le Lointain", Domaine de Kerguéhennec, Bignan, F
- "Repulsion", (cur. by Heidi Schlatter), University Galleries, Illinois State University, US
- "Dimension folly", Galleria Civica di Arte Contemporanea, Trento, I
- "Artprix Cinema Series Two", London, UK
- "In a Norwegian Wood - Norwegian Art of the Last Decade", Zacheta Galerie, Warsaw, PL
- "Everything is Connected, he, he, he", Astrup Fearnley Museum of Modern Art, Oslo, NO
- "Arkens Samling / Arkens Collection", ARKEN Museum of Modern Art, Copenhagen
2003
- "Beyond Paradise", Shanghai Art Museum, Shanghai, CHN
- "Loop", Reg Vardy Gallery, Sunderland, UK
- "Yours Truly", Nils Staerk Gallery, Copenhagen, DK
- "See you: See Me", Galleri Voss, Voss
- "De padres a hijos. Obras de la Colección Lambert", Centro Cultural de la Villa de Madrid, Madrid, ES
- "Photographier - To Photograph", Collection Lambert. Musée d'art contemporain, Avignon, F
2002
- "Das zweite Gesicht. Metamorphosen des fotografischen Portraits", Deutsches Museum, München, D (cat.)
- "There is no chaos here", Tamayo Museum, Mexico D.F., Mexico
- "The World May be Fantastic", Biennial of Syndey, Sydney, AU
- Nordic Contemporary Art, Bangkok
- "The eye of the beholder", Dundee Contemporary Arts, Dundee, GB
- Palais de Tokyo, Paris, F
2001
- "A Work in progress", New Museum of Contemporary Art, New York, NY
- "Museum2", Astrup Fearnley Museum of Modern Art, Oslo, NO
- "Sport in der zeitgenössischen Kunst", Kunsthalle Nürnberg, D (cat.)
- "Paesi Nordici: Interferenze", Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, I
- "The Beauty of Intimacy Lens and Paper", Gemeentemuseum, Den Haag; Staatliche Kunsthalle, Baden-Baden, D (cat.)
- "Footloose: Runa Islam, Valerie Jouve, Vibeke Tandberg", Stedelijk Museum, Amsterdam, NL
- "Arles Photography Festival", Arles, F
- "Ambivalente fortellinger", Lillehammer Kunstmuseum, Lillehammer, NO
- "endtroducing", Villa Arson Nice, Nice, F
- "Videonale 9", >Bonn, D
- "Azerty: Un abécédaire aléatoire autour des collections du Frac Limousin", Centre Pompidou, Paris, F
2000
- "Automobility. Women, Vehicles and social Transgression", Shedhalle, Zürich, CH
- "Mechanismus und Ausdruck", Kunstmuseum Bonn, Bonn, D
- "Rendez-vous #2", Collection Lambert en Avignon, Avignon, F
- "Museum", Astrup Fearnley Museum of Modern Art, Oslo, N (cat.)
- "Pave the Earth", Samtidskunstforum, Oslo, N
- "Kunst På Arbeidsplassen 50 år", Oslo Kunstforening, Oslo, N (cat.)
- "Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts", Kunstsammlung Nordrhein-Westfalen, Düsseldorf, D (cat.)
- S, Charlottenborg Udstillingsbygning, Copenhagen, DK (cat.)
- "Cross Roads. Artists in Berlin", Comunidad de Madrid, E (cat.)
- "Organising Freedom. Nordic art of the 90's", Moderna Museet, Stockholm, S
1999
- "See You: See Me", National Touring Exhibittions, N (cat.)
- "Can you hear me?", 2. Ars Baltica Phototriennale, Kiel/Rostock/Dresden/Bergen
- "efny 1999", Tomio Koyama Gallery, Tokyo, JAP
- "Welcome to the Art World", Badischer Kunstverein Karlsruhe, D (cat.)
- "Körperinszenierungen", Oper Frankfurt/M., D (cat.)
- "Tendance", Abbaye St. Andre Centre d'art contemporain, Meymac (cat.)
- "Digitale Photographie", Deichtorhallen Hamburg, D
- "Lè Grând Præmière Opénïng Shöw", Galleri Nicolai Wallner, Copenhagen, DK
- "Another Girl, Another Planet", Rubin/Greenberg Fine Art, New York (cat.)
- Eleni Koroneou Gallery, Athens, GR
- "Events", Yvon Lambert, Paris, F
- "Nordic Light. Nordic scenes in the 1990's", The Netherlands Media Art Institute, Amsterdam, NL
- "Social Engagement, Politics and the Everyday in Art", Museet for Samtidskunst, Oslo, N
- c/o Atle Gerhardsen, Oslo, N
1998
- "Berlin/Berlin", Berlin Biennale, Berlin, D
- "Remix", Musée des Beaux Arts, Nantes, F (cat.)
- "Summer Show", Andrea Rosen Gallery, New York, NY
- "Pakkhus", Momentum I, Moss (cat.)
- "Avatar", Oude Kerk, Amsterdam, NL
- "contemporary.self.portraits", Sean Kelly Gallery, New York, NY
- "Avatar", Oude Kerk, Amsterdam, NL
- "Not strictly private", Shed im Eisenwerk, Frauenfeld, CH
1997
- c/o Atle Gerhardsen, Oslo, N
- "M.A.P.", Vantaa Museum of Visual Arts, Vantaa, N
- "Nor-a-way", Stadtgalerie Kiel, D
- "Des Histoires en Formes", Le Magasin, Grenoble, F
- "tête-à-tête", Bildmuseet, Umeå, N
- "Invasion", Saaremaa Biennial, Saaremaa/Estonia (cat.)
- "Magiske bilder", Stavanger Art Association, Stavanger, N
1996
- "Short Stories", Altes Rathaus, Göttingen, D (cat.)
- "Electra", Høvikodden ArtCenter, Oslo, N (cat.)
- "Exiles", Overgaden, Copenhagen, DK (cat.)
- "PB1", Gallery 54, Göteborg, S
- "UKS Biennial", Young Artists Association, Oslo, N (cat.)
1995
- "Obsessions", Rijksmuseum Twenthe, Enschede, NL (cat.)
- "Fabrication of History", Saaremaa Biennial, Saaremaa/Estonia (cat.)
- Annual Spring Exhibition, Fotogalleriet, Oslo, N
- "To Mary", The Swedish National Exhibitions (touring exh.) (cat.)
- "Dixi", Young Artists Exhibition, Langesgate 1., Oslo (cat.)
1994
- "Oktett", Buskerud Kunstsenter, Drammen (touring exh.)
- "4 Positions", Fotogalleriet, Oslo, N
- "Now", Galleri Index, Stockholm, S
| Bibliography (selected):
Monographs / Catalogues on solo exhibitions
- Vibeke Tandberg. Living Together, Rogaland Kunstmuseum, Stavanger, NO (1997)
- Vibeke Tandberg, Kunstmuseum Thun, Thun, CH (2000)
- Vibeke Tandberg, c/o - Atle Gerhardsen/Berlin and Yvon Lambert, Paris, 2003
Catalogues and selected reviews:
2004
- WORK, Art in Progress, "Dimensione follia / Dimension: folly" 10, Autumn 2004, pp. 18-48
- exh. cat. "Wirklich wahr! - Realitätsversprechen von Fotografien", 06.06.04 - 26.09.04, Ruhrlandmuseum Essen, D
- Kunstkritikk, No 17. Januar, "Husk at du er flere", by Kjetil Røed
- Morgenbladet, 16-22 Januar, "Løgn og bedrag", Caroline Ugelstad
- Aftenposten, 12 Januar, "Virkeligheten slår tilbake", Gard Olav Frigstad
- Norsk Kunstaarbok, Norwegian Art Yearbook, "Vibeke Tandberg at the Museum", p. 103
2003
- Todos Somos Pecadores, Museo Rufino Tamayo Arte Contemporáneo, Mexico City
- Recherches dans l'œuvre de Vibeke Tandberg: Hybridation et identifé, Marina Varouta, Maîtrise de l'Art présentée en septembre 2003 sous la direction de Claude Frontisi, Université de Paris X-Nanterre
- Fotografi som digital bild. Narration och navigation I fyra nordiska konstverk, Karin Wagner, Tryck Intellecta DocuSys AB, Göteborg, 2003, pp. 41-77
- Natt & Dag, Desember, "Tande V", Peter Amdam, p. 8
2002
- "On the Top of the World", Gio Marconi, Milan (CD)
- exh. cat. Deutsches Museum, München, "Das zweite Gesicht - The Other Face. Metamorphosen des fotografischen Porträts – Metamorphoses of the Photographic Portrait"
- exh. cat. Moderna Museet Stockholm, "Beyond Paradise: Nordic artists travel east"
- Art Now, edited by Uta Grosenick & Burkhard Riemschneider, Köln, pp. 496-499
- Der Tagesspiegel, April 6, "Prinzessin auf der Felge", Anja Osswald, p. 24
- Artforum, May 2002, Vibeke Tandberg, Jennifer Allen, p. 192
- Flash Art, "Paesi Nordici-Interferenze", Chiara Chelotti, Milan, Feb – March
- Tema Celeste, No. 91, 2002, Vibeke Tandberg, Miriam Beers, p. 99
- Tema Celeste, January-February 2002, "Interferenze", Milovan Farronato, p. 104
2001
- exh. cat. Kunsthalle Nürnberg, "Sport in der zeitgenössischen Kunst"
- exh. cat. Gunnar Danbolt, "Norsk kunsthistorie, Oslo, NO
- exh. cat. Villa Arson, "Action, on tourne/ Action, we're filming", Nizza
- exh. cat. Lillehammer, "Syv ambivalente fortellinger om Kjønn og Identitet"
- exh. cat. Trondheim Kunstmuseum, NO
- exh. cat. "Videonale 9", concept: Søren Grammel, Bonn
- Kunstforum, No. 155, June/ July, "Videonale", Martin Seidel, pp. 392-395.
- 2001, Oslo, May- June, "Når kunst møter penger; En lidenskap", Anne Kari Berg, p. 34-35
- Dagens Næringsliv, June 23, "Rådyre knipsgjenstander, Kåre Bulie, p. 26-29
- ZOO, London, issue 08, April, "Vibeke Tandberg", p. 202-204
- Flash Art, No. 218, May-June, "Cityscape Oslo", Joans Ekeberg, p. 90
- Flash Art, No. 217, March-April, "Paris: Tokyo TV", Barbara Casavecchia, p. 51
- Frieze, No. 57, March, "Organizing Freedom: Nordic Art in the 1990's", Rebecca K. Engmann, p. 106
- Dagbladet/Magasinet, Feb. 3, "I sitt bilde", Mariann Aalmo Fredin, p. 39
- zoom international, Jan.-Feb., no. 42, Gianni Romano, p. 74-77
- Aftenposten, Jan. 19, "Lillehammer Kunstmuseum", p. 19
- VG, Oslo, Jan. 21, "Kjønn og identitet", p. 52
2000
- Why do I like Rockmusic??, Faculty of Architecture, Planning and Fine Art, TNU,Trondheim/ Norway, Mika Hannula
- Art Press, Paris, Nov., no. 262, "Cercle familial", Dominique Baqué, p. 90
- Tagesanzeiger, Nov. 16, "Roadmovies für Feministinnen", Barbara Basting
- nu: The Nordic Art Review, vol. II, no.6, Elisabeth Wetterwald, p. 86/87
- Die Wochenzeitung, no. 47, Nov. 23, "Autos mit Geschlecht", Anna Schindler, p. 21
- Kult, Mailand, no.10, Oct., "Vibeke Tandberg Uno nessuno centomila", Maria Grazia Torri, pp. 56-61
- BE Magazin, no. 6, Oct., Mika Hannula
- Le Nouvel Observateur, Sept 28. Oct. 4
- aden/Le Monde, Oct. 11
- aden/Le Monde, Sept. 27 Oct. 3
- Les Inrockuptibles, Sept. 26 Oct. 2, "Zéro de conduite", Jade Lingaard
- Libération, Sept. 22, "Les galeries, vivier de la rentrée", Elisabeth Lebovici
- Figaroscope, Sept 20, "Une rentrée très frileuse", Jean-Louis Pinte
- Le Journal des Arts, No. 110, Sept. 8-21
- Kunst-Bulletin, Juli/August, "Vibeke Tandberg im Kunstmuseum", Edith Krebs, p. 38
- exh. cat. "Vibeke Tandberg", Kunstmuseum Thun
- exh. cat. Moderna Museet, "Organising Freedom", Stockholm
- exh. cat. "Masker", J. E. Rekdal & A. Sveen, Oslo
- exh. cat. Oslo Kunstforening, "Kunst på arbeidsplassen 50 år", Oslo
- Politiken, Kopenhagen , July 29, "Fotografiske konstruktioner/Fotograf med computer", Brodersen, Annette
- Tagesanzeiger, July 21, "Faszination für blonde Perücken", Edith Krebs
- Neue Züricher Zeitung, July 7, "Schweizer Ausstellungen. Rollenspiele", A. Affentranger, p. 53
- Praxis, no. 89, "Vibeke Tandberg im Kunstmuseum Thun"
- Der Bund, June 24, "Ein Boxkampf gegen sich selber", Fred Zaugg
- Berner Oberländer, "Biographisch gefärbte Werke", June 19
- Very New Art 2000 100 Artists of the Year 2000, "Vibeke Tandberg", Bijutsn Publishing, Japan, pp. 220-221
- Thuner Tagblatt, , Thun, Nr.141, June 19, "Biographisch gefärbte Werke", Berner Oberländer
- Berner Zeitung, June 15, "Wenn die fixen Einheiten zerfallen", Konrad Tobler
- Thuner Tagblatt, "Auseinandersetzung mit sich und der Welt", Heidi Zingg-Messerli
- Annabelle, no. 13, "Kindheitsträume"
- feit&fictie. Tijdschrift voor de geschiedenis van de representatie, no. 4, "De betovering van Vibeke Tandberg", Arjen Mulder, pp. 23-37
- Flash Art, no. 212, May/June, "Global Art: Vibeke Tandberg", Lotte Sandberg, p.107
- Dagens Naeringsliv, Oslo, May 24, "Pøbler på parnasset", Lena Lindgren, pp.48-49
- Kunstforum International, vol. 149, "Can you hear me?", 2. Ars Baltica Triennale der Photokunst", Jens Rönnau, pp. 345-347
- Dagsavisen, Oslo, May 14, "Slår gjennom med foto", Per Helge Seglsten, p. 22
- Contemporary Visual Arts, London, Issue 29, "The Self is Something Else , Art at the End of the 20th Century", Edgar Schmitz, pp. 62-63
- Zingmagazine, New York, issue no. 12, "Vibeke Tandberg: Aesthetics of Narcissism", Christopher K. Ho, p. 212
- Aftenposten, Oslo, March 16, "Identitet som kunstnerisk problem", George Morgenstern, p. 44
- Frankfurter Allgemeine Zeitung, March 9 ,Besprechung "Ich ist etwas Anderes", Thomas Wagner, p. 51
- Dagens Naeringsliv, Oslo, March 4-5, "Kjaerlig Tandberg", Jan Kokkin, p. 45
- Dagsavisen, Oslo, March 5, "A krype under huden på noen...", Anne Schäffer, p. 16
- Dagbladet, Oslo, March 1, "Det nordiske mirakelet", Harald Flor, p. 52-53
- Kölner Stadt-Anzeiger, no. 42, Feb. 19/20, Besprechung "Ich ist etwas Anderes", Amine Haase, p. 37
- exh. cat. "Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts", Kunstsammlung Nordrhein-Westfalen, Düsseldorf
- Aftenposten, Oslo, Feb. 20 "Lek med nordiske myter", Wenche Volle, p. 17
- El Cultural, Madrid, Feb. 13, "Berlin, Crisol Art"stico", Elena Vozmediano, p. 54
- Dagens Naeringsliv, Oslo, Feb. 5, "Signaturer For Fremtiden", Jan Kokkin, pp. 28-32
- frieze, No. 50, Jan./Feb., "Vibeke Tandberg", Lars Bang Larsen, p. 103
- Dagbladet, Oslo, Jan. 10, "En Moderne Frankenstein", M. Aalmo Fredin, p. 48
- Masker, Oslo, "Frau selvportrett til ego-tripp", Ingeborg Glambek, pp. 76-77
- BT Bijutsu Techo, Tokyo, Vol. 52, No. 782, "A To Z", p. 220
- Double, no. 1, Jan./Feb., dossier identité, Julia Molino
- Het fotografisch genoegen Beeldcultuur in een digitale wereld, Van Gennep, Amsterdam, Arjen Mulder, pp. 121-134
1999
- nu: The Nordic Art Review, no. 3, "The Art of Repeating Oneself", Frederikke Hansen, pp. 48-55
- exh. cat. "Can you hear me?", 2. Ars Baltica Triennale der Photokunst, Kiel/Rostock u.a.
- Les Inrockuptibles, "Vibeke Tandberg" in Hors Série, "New York 1999"
- nu: The Nordic Art Review, No. 3, "An Imitation of Real", Alexander Sokolov, p. 10
- nu: The Nordic Art Review, No. 3, "The Art of Repeating Oneself", Frederikke Hansen, pp. 48-55
- exh. cat. "See You: See Me", National Touring Exhibitions
- exh. cat. "Can you hear me?", 2. Ars Baltica Triennale der Photokunst, Cologne (Ed. Kathrin Becker)
- exh. cat. "Like Virginity, Once Lost. Five Views on Nordic Art", Malmö (Ed. Daniel Birnbaum & John Peter Nilsson)
- Vogue Hommes, fall/winter 1999/2000
- Berliner Morgenpost, Oct. 19, "Wer bin ich? Vibeke Tandberg bei Klosterfelde", Christiane Meixner, p. 23
- Ticket Berlin, No. 41, Oct. 14-20, p. 24
- Der Tagesspiegel, Sept. 27, "Zehn Minuten an die Zukunft denken", Carmela Thiele
- exh. cat. "Körperinszenierungen", Oper Frankfurt/M.
- exh. cat. "Welcome to the Art World", Badischer Kunstverein Karlsruhe
- Like Virginity, Once Lost (Five Views on Nordic Art Now), "Body Contact: Hungering for the Real", Sara Arrhenius, ISBN 91-87952-17-3, pp. 29, 31
- Aftenposten, Jan. 19, Oslo, "Plastilin Blant Årets Nyinnkjøp", John Harbo
- Zeitung zum Sonntag, Sept. 5, "Nichts ist unmöglich", Klaus Rümmele
- Politiken, Kopenhagen, Sept. 5, "At Efterligne Line", Per Munch, p. 2
- Szene Hamburg, No. 7, "Virtueller Müllschlucker", Ludwig Seyfarth, p. 90
- BT Bijutsu Techo, Tokyo, Vol. 51, No. 767, "Artist Comment: Vibeke Tandberg", Emiko Kato, p. 42
- Contemporary Visual Arts, London, issue 22, "What's in a Lie?", Simon Morrissey, pp. 34-39
- Kunst Fotografi Norge Forbundet Frie Fotografers 25 Års Jubileum, "Den Største Politiske Kampen Er Unnagjort", Per Olav Torgnesskar, ISBN 82-7039-046-1, pp. 132-137
- Aftenposten, Oslo, Sept. 3, "Når Feminismen Blir En Privatsak", Kari J. Spjeldnæsi
- Artforum, Sept., "Another Girl, Another Planet", Kathy Siegel, p. 161
- Aftenposten, Oslo, Aug. 4, "Fra geni til uberegnelig subjekt", Lotte Sandberg
- Etapes Graphiques, June, "Du pareil au même", Laurent Sauerwein, p. 16
- Flash Art, No. 206, May/June, "Another Girl, Another Planet", Max Henry, p. 61
- exh. cat. "Another Girl, Another Planet", Rubin/Greenberg Fine Art, New York
- Village Voice, New York, March 31- April 6, "Imitation of Life", Vince Aletti
- Stavanger Aftenblad, March 1, "Kunstdirektør med ambisjoner", Rigmor Lindøe
- Stavanger Aftenblad, Feb. 26, "Den gode smaken utvikles i Oslo", Eli Næsheim
- NRC Handelsblad, Oslo, Jan. 26, "Milkshake Met Ballen van Stieren"
- Zéro Deux, No. 8, Jan./Feb., "Remix, Images photographiques", David Perrau
- Geijutsu Shincho, Japan, January, Per Olav Torgnesskar, p. 103
- Aftenposten, Oslo, Jan. 19, "Plastilin blant årets nyinnkjøp", John Harbo
1998
- Jalouse, Dec./Jan., "Remix visuel"
- Aftenposten, Oslo, Dec. 30, "Museumsmangel og mirakeltid", Lotte Sandberg, p. 10
- Déja-vu Bis, Japan, No. 17, December
- Flash Art, No. 203, Nov./ Dec., "Vibeke Tandberg", Peter Herbstreuth, p. 112
- Aden/Le Monde, Oct. 7/13/22/28, "Vibeke Tandberg"
- Paris Photo Guide, No. 2, fall
- This City Paris, No. 3/winter, "Get out of Town"
- L'Evènement du Jeudi, Nov., "Tendance nouvelles technologies, les délires du virtuel", dossier photo
- Le Courrier, Nov. 2, "Rendez-vous parisien pour deux siècles de photographie"
- exh. cat. "Remix", Musée des Beaux Arts, Nantes
- exh. cat. "Berlin/Berlin", Berlin Biennale, Berlin
- exh. cat. "Contemporary.self.portraits", Sean Kelly Gallery/ Very, New York
- Art On Paper, Vol. 3, No. 2, Nov./Dec., Hanne Loreck, pp. 62
- siksi, the nordic art review, XIII, No. 3-4, fall/winter, "People Get Real", John Peter Nilsson, pp. 1-5, 68
- Very, New York, No. 4, "contemporary.self.portraits, Jens Hoffmann, pp. 22
- Modernismen i Kunsthistorien, Holger Koefoed, p. 152,164,168, ISBN 82-585-1266-8
- art Das Kunstmagazin, No. 10/Oct., "Die Hauptstadt als Kunstlabor fürs neue Jahrtausend", pp. 24, Silke Müller
- Focus, No. 40/Sept., "Aschram in der City", Gabi Czöppan, pp. 166-168
- Spiegel Kultur Extra, October, "Kunst oder was?", Ingeborg Wiensowski, pp. 12-17
- Arte, "Per un attimo o per un' eternità", Walter Rauhe
- Flash Art, No. 202, Oct., "The New Melting Pot", Dan Cameron, pp. 90-92
- Le Journal des Expositions, No. 58/Oct., "Living Together", Alexandre Bohn
- Les Inrockuptibles, Sept. 20-Oct. 6, "L'âme s¦ur", No. 167, Jean-Max Colard, pp. 66
- Berliner Zeitung, Aug. 17, "Das Spiel aus der Sicht des Balls", Stefanie Heckmann
- Ticket Berlin, Aug. 6-12
- Aftenposten, Oslo, Aug. 26, "Problematiserende", Mari Lending
- exh. cat. "Pakkhus", MOMENTUM nordic festival of contemporary art, Moss, pp. 8/89
- Kunstbulletin, March, Peter Herbstreuth
- Tagesspiegel, March 20, "Gutherzig im Cyberspace", Peter Herbstreuth
- Ticket Berlin, March, "Multiples Lottchen"
- tip Berlin Magazin, March
- Aftenposten, Oslo, March 25, "En Foruroligende Portrettserie", Lotte Sandberg
- Yearbook of Norwegian Art, "En Foruroligende Portrettserie", Lotte Sandberg, p. 72, ISBN 82-7039-043-7
- Yearbook of Norwegian Art, "I Bakspeilet / In the Rear-view Mirror", pp. 108
- Aftenposten, Oslo, March 25, "Kunstmessse i Stockholm: Et Gløtt Under Serken", Lotte Sandberg
- The Finnish National Gallery Annual Publication, "Interpreting Contemporary Art", Mika Hannula, pp. 134-145
- Very Nr. 2, "It's a mystery to me / Someone got me started ...", Mika Hannula, pp. 22-25
- UKS Forum For Samtidskunst, No. 3/4, "Aldri heile sanninga", Jarle Strømodden, pp. 18-21
- Morgenbladet, Oslo, "Leppa Fra Montebello", Erling Fossen
- Index, Stockholm, No. 1, "The Doûble The Embodiment of Mimesis", Bãrtås/Ekman, pp. 22-28
1997
- exh. cat. "Invasion", Saaremaa Biennial, Saaremaa
- exh. cat. "M.A.P.", Vantaa Museum of Visual Arts, Vantaa
- exh. cat. "Nor-A-Way. Young Art from Norway", Stadtgalerie im Kulturviertel/ Sophienhof, Kiel
- Frankfurter Allgemeine Zeitung, "Berlin ist eine Messe wert"
- Tema Celeste, "Digital Photography", Cecilia Andersson
- Creative Camera, London, April/May, "Games of two Halves", Timon Oefelein, p. 18
- Hyperfoto, Oslo, No. 1, "Cinderella Overdrive", Torbjørn Rødland
- Yearbook of Norwegian Art, "Dualistik Selvportrett", Trond Borgen, p.95
- Yearbook of Norwegian Art, "Aktuelt/Current News", Anders Eiebakke, p.124
- Øyeblikket: Tidsskript For Visuelle Kulturer, No. 34, 7. årgang, "Digital Photography", Arild Fetveit, pp. 26-28
- neue bildende kunst, June/July, "Setz die Segel, Schätzchen!", Mika Hannula, p. 84
- Aftenposten, Oslo, April, "Flyktig Identitet", Lotte Sandberg
- NRK1-Now. National Television, 30 minutes interview/portrait
1996
- exh. cat. "Short Stories", Altes Rathaus, Göttingen
- exh. cat. "vibeke tandberg living together", Einar J. Børresen/ rogaland kunstmuseum, Stavanger, Nov. 3, 1996 Jan. 5, 1997
- exh. cat. "Foto-Szenen/ Short Stories", Altes Rathaus, Göttingen (Ed. Ursula Schönewald)
- exh. cat. "Electra", Høvikodden ArtCenter, Oslo
- exh. cat. "Exiles", Overgaden, Kopenhagen
- exh. cat. "Hyperfoto catalogue #2, Larsson, Lindgren, Lundin, Tandberg, Ekeberg", Oslo
- exh. cat. "UKS Biennial", Young Artists Association, Oslo
- Art in America, March, "Report from Estonia", Thomas McEvilley
- Zehar, No. 31, "The Programming of Emotions", Cecilia Andersson
- Stavanger Aftenblad, Nov. 13, "Dualistik Selvportrett", Trond Borgen
- Aftenposten, Oslo, "Electras Tvetydige Signaler", Lotte Sandberg
1995
- exh. cat. "Obsessions", Rijksmuseum Twenthe, Enschede
- exh. cat. "Fabrication of History", Saaremaa Biennial, Saaremaa
- exh. cat. "To Mary", The Swedish National Exhibitions
- Hyperfoto, Oslo, No. 4/95-1/96, "Dixiland", Anders Eiebakke, p. 25
- exh. cat. "Dixi", Young Artists Exhibition, Langesgate 1., Oslo
1994
- Hyperfoto, Oslo, No. 2, "Posthumous / Ettermæle", Håvard Johansen, p. 4-7, 50
- Svenksa Dagbladet, Nov. 26, "Till Afrika Med Datorhjälp", Towe Matre
- Dagens Nyheter, "Rejält Bett i Fotografins Akilleshäl", Stefan Nilson
- Material, Stockholm, No. 23, "3 Projects", Håkan Nilsson, p. 11
1993
- Index, Stockholm, No. 5, "Powerful Feminine Dreams", Gertrud Sandquist, pp. 9-11
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